Parker Ramsay


(For Parker’s blog, click here)

“Parker Ramsay performed with verve.” The New York Times

“Harpist Parker Ramsay gave a magic aura.” The Wall Street Journal

“Parker Ramsay’s accompanying is a model of intelligent supportiveness.”  BBC Music Magazine 

“Ramsay found the tension and excitement in Bach and performed with sure-footed authority.”   Cleveland Classical

“Britten’s Rejoice in the Lamb was expertly accompanied, and Ramsay added flair to the program with his performance of Bach.”   Ionarts

Parker Ramsay’s career is distinguished by its breadth and crossing of instrumental boundaries and genres at the harp, organ and harpsichord. At age seventeen, Parker was awarded the organ scholarship at King’s College, Cambridge where he served under the direction of Stephen Cleobury. His tenure with the Choir of King’s College, Cambridge included performing for the Festival of Nine Lessons and Carols in 2012, as well as six international tours and four recordings. In 2014, he was awarded First Prize at the Amsterdam International Organ Competition. Parker has performed at the Concertgebouw in (Amsterdam), the Royal Albert Hall (London), the Musée d’Orsay (Paris), the National Center for the Performing Arts in (Beijing), Sejong Center for the Performing Arts (Seoul), Verizon Hall in (Philadelphia), Carnegie Hall and Alice Tully Hall (New York City).

As a harpist, Parker specializes in repertoire for early harps and new music for the modern pedal harp. In March 2018, he led the University of Louisville Harp Project, premiering nine works written for solo harp. In 2019, he will record his own transcription of J.S. Bach’s Goldberg Variations for the pedal harp at the Chapel of King’s College, Cambridge. As a continuo player, he has worked with the Academy of Ancient Music, the Academy of Sacred Drama, and the Shanghai Camerata. In 2020, he will commence the Kithara series in New York, in which he will premiere six new chamber works for harp and other instruments during the 2020-21 season. Parker has worked closely with composers such as Marc Satterwhite, David Fulmer, Tom Morrison and Saad Haddad.

In addition to his work as a performer, he works as a staff writer for VAN Magazine (Berlin) and maintains his blog, Harping On: Thoughts from a Recovering Organist. He holds degrees from Cambridge University, Oberlin Conservatory and the Juilliard School.